• We need musical notation for ease of learning musical works. Same, that when reading books, we know letters, signs punctuation, we understand the structure of what we read. We are proficient in novel concepts, poetry or novel. So in music, we need to master musical concepts and terms, for ease of understanding what is played. In order not to memorize note by note, but to understand how the melody moves, knowing this, we predict its development For example,
• notes moving in a row or through one,
• in which key
• how many characters are there
• is this a fragment of what scale?
• And if by a triad,
• is it a dominant or subdominant,
• will there be a resolution to the tonic,
• or interrupted cadence?

< p> All this knowledge gives us speed in studying of a material. Proper reading of the work helps not to make mistakes in performances. Not only hands play,, but also the head.

A person sees in a musical text not individual elements – notes, and meaningfully combines them in the design. And reads finished designs. At the same time, internal hearing anticipates their sound.

Auditory analysis can be compared with listening when learning a language and understanding speech by ear.

Hearing is the most important thing for a musician, and it is developed by the exercises that are given in solfeggio lessons. Solfegging, we practicing to hear subtleties of music. Hear modulation, understand where is the introductory tone, and where is its resolution. Knowing this, whengetting acquainted with a new work, we are much better and faster at remembering it and playback. By correctly intoning, it is possible to lead the phrase better when playing, conveying the best moments of the composition.

The skill of singing from notes and understanding how can move accompaniment in a song will help you easily find your favorite melody. And also if you want to compose music easily will write.

Many musicians open their own schools and share their knowledge and experience. And in order to explain exactly how to play, besides practice, of course, you need to know the theory of music notation.

You can pick up any song and accompaniment and transpose anywhere. In any key.

Analyzing the work you play, you have more channels of perception involved, which means you remember it faster and better.

If you have the experience of consciously singing from notes, then the muscles of the larynx remember the feeling of the height of each sound. And then, hearing the sound, it is easier to remember what note it is. It turns out, another channel of perception.